Traditional Musical Instruments jonsar and bawar refelcts the values of jounsar and bawar people. The famous musical instruments are
, Damana, dol,dolki or kanjar(dapli), or Flute these are the most famous in jounsar & bawar. Folk
dance and music both require the help of several musical instruments
that lend the former their characteristic simplicity and regional touch
and make them more enchanting. These instruments form the soul of folk dance and music. JB’s traditional musical instruments are quite simple but unique into the emotions they evoke.instrument play great rile in recreation but in jonsar and bawar . from the ancient time the music instrument are use for a special purpose as enjoyment , for begin the war , end of war ,for holly pilgrim, at time of baby born to express emotions
festival:liki diwali,holi, bisu,jatar ,mag mela, mela, man,
worship: to worship of god the instrument are played in morning and in evening in local language this process of worship is called "namti". namti is played by a special man from the family of "bajgi"..in "katha" the dhol ,damana, ransingha and shank are used.
ceremony :ceremony like marriage, engagement,birthday, and for FUNERAL
Dhol
The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In qawwali and jonsari music, the term dhol is used to describe a similar, but smaller drum used with the smaller tabla,
as a replacement for the left hand tabla drum. The typical sizes of the
drum vary slightly from region to region. In Punjab, the dhol remains
large and bulky to produce the preferred loud bass. In other regions,
dhols can be found in varying shapes and sizes and made with different
woods and materials (fiberglass, steel, plastic). The drum consists of a
wooden barrel with animal hide
or synthetic skin stretched over its open ends, covering them
completely. These skins can be stretched or loosened with a tightening
mechanism made up of either interwoven ropes, or nuts and bolts.
Tightening or loosening the skins subtly alters the pitch
of the drum sound. The stretched skin on one of the ends is thicker and
produces a deep, low frequency (higher bass) sound and the other
thinner one produces a higher frequency sound. Dhols with synthetic, or
plastic, treble skins are common.
The dhol is played using two wooden sticks, usually made out of bamboo and cane wood. The stick used to play the bass side of the instrument, known as the dagga in Punjabi, is thick (roughly about 10 mm in diameter) and is bent in a quarter-circular arc on the end that strikes the instrument. The other stick, known as tihli, is much thinner and flexible and used to play the higher note end of the instrument.
The dhol is slung over the neck of the player with a strap usually
made up of woven cotton. The surface of the wooden barrel is in some cases decorated with engraved patterns and sometimes paint.
made up of woven cotton. The surface of the wooden barrel is in some cases decorated with engraved patterns and sometimes paint.
In the pre-Partition
era, dozens of rhythms were played on the Punjabi dhol, which
corresponded to specific functions. However, with the decline or
disappearance of some cultural practices, recent generations of
dhol-players have become unfamiliar with many of these. At the same
time, the growth of folkloric staged bhangra dance in Indian Punjab
inspired the creation of many new rhythms particular to that dance.
Some of the most common Punjabi dhol rhythms are bhangra (originating with the old, community bhangra dance), dhamaal (associated with many cultural functions, including worship at Sufi shrines), and kaharva, a dance and song rhythm. The staged "bhangra" dance, originating in the 1950s, gave special prominence to kaharva, for the performance of actions called luddi.
In the 1970s, many more actions were added to staged bhangra to go with
the kaharva rhythm, which started to become one of the most prominent
rhythms associated with the dance. At the same time, this type of rhythm
would be played on the dholki drum to accompany Punjabi songs. So when,
in the 1990s, Punjabi pop songs began to evoke bhangra dance, they used
the kaharva rhythm. It is known now by various names. Some dhol-players
call it kaharva, its technical name, while other players in Punjab call it luddi to refer to the dance of that name. With the style of dhol-playing that developed in the U.K., the name chaal
was adopted—probably in reference to the "chaal" movements it
accompanies in modern bhangra—however, that term is not used elsewhere.
The introduction of electronic devices such as tape recorders
has led to a decline in the importance of dhol players in celebratory
events. Nevertheless, dhol music still figures in the studio recordings
of present day raas, garba and bhangra music artists. A related
instrument is the dholak or dholki.
This
is a drum in which a wooden or brass hollow is covered with leather at
both ends. At one end it is beaten with a stick while the other end is
patted with the palm. It is generally played in Barats, Navratris and
religious processions.
Damana
This consists of two leathered brass cones one somewhat bigger and the other small in size. The bigger one is called ‘Daindama’ while the smaller one is called ‘Baundamu’. Both produce different sound when beaten with sticks known as ‘Lakur.’. this is companion with dhol.
Dolki.
it is similar like dhol but size and shape is different from dhol. the beat of dolki use to give proper bass for the music .in ceremony party this instrument play a leading role to give a rhythm to dance.
Ransheengha: it is instrument which is blow by mouth air . it sound like a horn but have different rhythm. commonly it is made by metal . to reduce it size it have two part which can be assembled easily at a time to blow it . it need more power , air pressure and practice to blow it .
khanjari( Dapli):
it is instrument which give background bass with some metal sound in order to dolki beat . it is played by using one hand to catch it base and one hand to strike softly on the surface of it.